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 91 
 on: October 13, 2019, 08:07:01 pm 
Started by Kevin Maxwell - Last post by Scott Helmke
The catch with most handheld & inexpensive RF SA devices is that they can't display fine enough resolution across wide spans for the display to be useful.  RF Explorer, for instance, is limited to 112 data points across any span.  However, with experience you can use it well for your purpose.  You just need to tweak it as you zero in on a narrow span that covers your signal of interest until it shows sufficiently useful info (a well-defined peak of power at the frequency of interest).

To be more specific on the "catch", if you're looking at a wide span with the RF Explorer then you just won't see narrow little wireless mic/IEM transmissions at all. You need to zoom in to see those, which means spending a lot of time tweaking frequencies.

 92 
 on: October 13, 2019, 07:57:07 pm 
Started by Tim Weaver - Last post by John Fruits
Let me know what you think please. I'm about to order 4 of the Saber Spot Go battery versions. They cost a lot more than pinspots but I think they will do a lot more, as well.
I recently noticed that 4Wall/usedlighting.com has some ADJ B-stock units for sale.
https://www.usedlighting.com/44262/adj-saber-spot-go?ref=weekly

 93 
 on: October 13, 2019, 06:53:32 pm 
Started by Miguel Dahl - Last post by Miguel Dahl
Or will this crash the file or do something else funny to the file?

Can I do this in the offline editor?

 94 
 on: October 13, 2019, 06:48:15 pm 
Started by Kevin Maxwell - Last post by John Sulek
We usually mill about after our terrifying talk.  Please, I beg you to introduce yourself and let's chat!

Damn...I wish I wasn't working far from NYC this week.

 95 
 on: October 13, 2019, 06:28:01 pm 
Started by frank kayser - Last post by Mike Pyle
...Birch?  or...

They are a plywood cabinet with plastic caps over the plywood on the ends. I also have some of the better TFM passive version in stock and pulled the cap off of my demo  cab to see what it looked like underneath.

 96 
 on: October 13, 2019, 06:20:36 pm 
Started by Radoslaw Andruszkiewicz - Last post by Rob Spence
If two monitors interfere with each other and donít sound as good as one, why do recording and mastering engineers use two near field monitors?
Do you use L/R FOH speakers or a single speaker?

First, recording engineers rarely have the same program material in both speakers since most recordings are made to sound good in stereo.

In live sound, most audience members hear one side of the pa more than the other and so the source is mostly mono.

When you hear more than one speaker at similar volume levels with the same material, you get comb filtering.

 97 
 on: October 13, 2019, 05:45:29 pm 
Started by Steve Crump - Last post by Steve Crump
Or a crossover and biamp.

No biamp...lol. I am going farther with this project than I intended to as it is. Hopefully in the end I will have a monitor that I can grab and use with different amps without a lot of fuss with just a HP filter at the amp and some eq changes at the board. I really donít intend for these to be my main monitors, just the ones for certain applications.

 98 
 on: October 13, 2019, 05:36:40 pm 
Started by Radoslaw Andruszkiewicz - Last post by Robert Lunceford
Why would you ever use two monitors?  There is a big thread on this however the cliff notes version is two monitors interfere with each other so they don't sound as good as 1 and actually don't play as loud due to destructive interference.
If two monitors interfere with each other and donít sound as good as one, why do recording and mastering engineers use two near field monitors?
Do you use L/R FOH speakers or a single speaker?

 99 
 on: October 13, 2019, 05:26:12 pm 
Started by frank kayser - Last post by frank kayser
I have some of the TFX122M-AN coming in tomorrow.
Hmmm... Looks interesting!
More power, and better looks from the audience side.
Anyone heard them?


Birch?  or...

 100 
 on: October 13, 2019, 05:17:51 pm 
Started by Bob Stone - Last post by Bob Stone
You could make one?

https://www.electroschematics.com/audio-compressor-ssm2165/

Not really passive, could devise a circuit that converts phantom power for use tho?

https://www.analog.com/media/en/technical-documentation/obsolete-data-sheets/SSM2165.PDF
https://www.analog.com/media/en/technical-documentation/data-sheets/SSM2167.pdf

here's a passive one I found. Kinda cool.
https://www.electroschematics.com/dynamic-compressor-passive-components-no-power-supply/

Yeah, some interesting circuits...phantom power would only really work if it was in line with the mic rather than on the insert. Completely passive would be ideal.

I unfortunately don't have the knowledge to put together any sort of circuits like these, although a good friend of mine might....I'll have to run the idea by him and see what he thinks.

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