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Sound Reinforcement - Forums for Live Sound Professionals - Your Displayed Name Must Be Your Real Full Name To Post In The Live Sound Forums => LAB: The Classic Live Audio Board => Topic started by: TomBoisseau on May 17, 2013, 12:10:26 pm

Title: Yamaha M7CL Question.
Post by: TomBoisseau on May 17, 2013, 12:10:26 pm
I'm in the middle of working a show, and I need a quick answer.  I'm not using the mono fader and I would like to assign it to control mix 16.  I seem to remember that it is doable.  Some one please tell me how.

Thanks,
Tom
Title: Re: Yamaha M7CL Question.
Post by: boburtz on May 17, 2013, 12:19:44 pm
I'm in the middle of working a show, and I need a quick answer.  I'm not using the mono fader and I would like to assign it to control mix 16.  I seem to remember that it is doable.  Some one please tell me how.

Thanks,
Tom
I think the only way to do this is to assign mix 16 to the mono bus, and use the mono assigned output for mix 16.
Title: Re: Yamaha M7CL Question.
Post by: TomBoisseau on May 17, 2013, 02:59:45 pm
I think the only way to do this is to assign mix 16 to the mono bus, and use the mono assigned output for mix 16.

REALLY!  Well that's disappointing.  Thanks

Tom
Title: Re: Yamaha M7CL Question.
Post by: Scott Helmke on May 17, 2013, 04:41:14 pm
You can't move faders on an M7CL, that's part of the philosophy.  You can use a master fader for cue wedge, and that took a couple years to get.
Title: Re: Yamaha M7CL Question.
Post by: Mac Kerr on May 17, 2013, 09:48:51 pm
REALLY!  Well that's disappointing.  Thanks

Tom

If you're not using the mono bus, what's wrong with assigning mix 16 (or any other) to the mono output to get master control of 1 mix without having to use the CL fader bay? How is direct control any different?

Mac