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 1 
 on: Today at 03:51:25 am 
Started by Nick Pires - Last post by Phillip Ivan Pietruschka
XLR patching presented on the front panel canít Y inputs to multiple channels without either Y-cables, or amp loop outs also presented on the patch field.

A half normal jack field would consume less rack space, and make y-ING easier - if you need more than 1 into 2 you could wire up some of the empty space on a 2x24 into 1 into 6es. But it really requires speciality cabling which is less appealing in the field.

I think the rotary switches as per Jasonís post is the way to go, but is a little more complex to do well.

Iíve used analog routers such as the Kramer unit, but unless remote control is a requirement canít see why youíd bother. If you needed switching of mixed signal types and remote control, then a router would start to make sense.

 2 
 on: Today at 01:46:12 am 
Started by Mal Brown - Last post by Jeff Lelko
Humidity is a much bigger issue than outright temperature.  So long as the moisture stays down and any ďstale airĒ gets turned over you should be just fine.

 3 
 on: Today at 01:24:56 am 
Started by duane massey - Last post by MikeHarris
Mom's Wholesome Audio used Duncan slide faders...Stevenson Interface..one or two Gately mixers.

 4 
 on: Today at 12:06:21 am 
Started by duane massey - Last post by Chris Hindle
Not that new. I remember Pete Erskine and I max'ing out all our credit cards at Manny's Music on 48th St to buy a couple of PM1000 consoles in '76. We used them on the Chrysler new car launch that summer. The PM1000 was not the first console with linear faders, certainly Stephenson and others predate them.

Mac
I remember mixing on a Soundcraft Series one. Wasn't that born around 1974?
It was the first mixer I used with faders.
At the time I had a Yamaha EM-35(?), 6 channel with rotary pots.
Chris.

 5 
 on: Yesterday at 11:59:34 pm 
Started by Mal Brown - Last post by RYAN LOUDMUSIC JENKINS
Well, it was 118⁰ here last week, no problems.   It was 120 last summer, no problems.   It's really a non-issue.

 6 
 on: Yesterday at 10:43:03 pm 
Started by duane massey - Last post by Mac Kerr
Funny that came up on a podcast I was listening to today.  The guy being interviewed from Silverfish Audio said they had Ashly consoles (who knew?) in '79 that had 100mm faders and that was a pretty new thing.

Not that new. I remember Pete Erskine and I max'ing out all our credit cards at Manny's Music on 48th St to buy a couple of PM1000 consoles in '76. We used them on the Chrysler new car launch that summer. The PM1000 was not the first console with linear faders, certainly Stephenson and others predate them.

Mac

 7 
 on: Yesterday at 10:35:26 pm 
Started by William Hultman - Last post by Mac Kerr
I have an odd issue

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Mac
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 8 
 on: Yesterday at 10:32:58 pm 
Started by William Hultman - Last post by William Hultman
I have an odd issue with our sound board that I am hoping someone can help with. Our sound board is a Yamaha MG 32/14fx. The issue I am having is that whenever we try and play a video thru the sound board the audio is only coming thru our monitor speakers and not the main house speakers. This is the only device that does this, all other sounds play thru both the monitors and house speakers, as they should. If I move the PC output to another channel, the problem follows. I have triple cheeked all of the connections and all seem to be connected correctly. If anyone has any ideas, I would really appreciate any assistance you can provide me. I am at wit's end here.

 9 
 on: Yesterday at 10:18:24 pm 
Started by duane massey - Last post by Landon Lewsaw
Funny that came up on a podcast I was listening to today.  The guy being interviewed from Silverfish Audio said they had Ashly consoles (who knew?) in '79 that had 100mm faders and that was a pretty new thing.

 10 
 on: Yesterday at 10:00:23 pm 
Started by Nick Pires - Last post by Caleb Dueck
....or they are DSP-based like the Ashly 24.24. None of that is what we are really looking for.

I remember these from way back in the day; they were made obsolete by DSP.  I would push back on the 'can't be a DSP' front.

Especially if, like Xilica QR1 or a small QSys core - you simply create a GUI.  Sit at FOH with an iPad and do all your patching that way.  Plus that gives you Dante, AES3, and analog for redundancy. 

The other thing I'd question is why analog for distributing that many channels?  That's what Dante, or maybe AES3 is for.   

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