ProSoundWeb Community
Sound Reinforcement - Forums for Live Sound Professionals - Your Displayed Name Must Be Your Real Full Name To Post In The Live Sound Forums => AC Power and Grounding => Topic started by: Jay Barracato on May 05, 2017, 05:49:03 PM
-
I have had 4 of the standard tritap extension cords I use on the front of the stage at the venue for pedalboards, etc walk in the last two weeks, despite being labeled with a rather unique gaff color.
I got through last weekend using my personal code compliant drops but that is not going to be a long term solution.
Yellow, orange, be damned. Where can I get some hot pink extension cords?
Sent from my XT1254 using Tapatalk
-
A local hardware store has 12/3 sjow cords in various neon colors, including hot pink IIRC. But not in soow, however.
-
When in high walk potential situations we just zip tie the male end of the cable to the distro or we might zip tie the power strip lead to a table leg. Most of the time it is unintentional when they walk but that at least slows them down.
-
When in high walk potential situations we just zip tie the male end of the cable to the distro or we might zip tie the power strip lead to a table leg. Most of the time it is unintentional when they walk but that at least slows them down.
I like that.
I usually only put them out when needed, so I know to pick them up, but things are going missing when I am not there.
Sent from my XT1254 using Tapatalk
-
I have had 4 of the standard tritap extension cords I use on the front of the stage at the venue for pedalboards, etc walk in the last two weeks, despite being labeled with a rather unique gaff color.
This is one of the reasons I'm switching to OA Windsor boxes on Powercon True 1 connectors. They're much less likely to walk if people don't know what the connectors are and don't have them already.
(https://uploads.tapatalk-cdn.com/20170506/d0aca979bfa07079a096b557dac6015a.jpg)
-
This is one of the reasons I'm switching to OA Windsor boxes on Powercon True 1 connectors. They're much less likely to walk if people don't know what the connectors are and don't have them already.
(https://uploads.tapatalk-cdn.com/20170506/d0aca979bfa07079a096b557dac6015a.jpg)
All my personal stuff is oa windsor. Leaving more expensive stuff where it already walking doesn't sound like a realistic strategy to me.
Sent from my XT1254 using Tapatalk
-
Some musician are brain dead and will simply pack up whatever is in front of them at the end of the show. If they are following a tri-tap extension cord all the way to the plug and taking it - they are thieves and should be on the receiving end of a phone call from the venue manager (not you) and their management or booking agency should be informed the act will not be rebooked until the venue property is returned and then stick to that.
That these are walking out when you are not there also points to a VENUE problem with lack of supervision and to a certain extent the venue needs to decide when replacing stolen stuff exceeds the cost of personnel. Until then the venue should consider this the cost of tuition at Ye Olde Skool of Harde Knox.
Replacing the missing cords with hot pink or other funky color will not discourage thieves and will not register with the brain-dead folks.
-
I agree with the lack of supervision. Unfortunately to attribute the loss to any one band/ night I would have to inventory everything before and after every show I do, which is just more for me. That includes having to run around on site to make sure the stage cables weren't " borrowed" to plug in a cash register or projector or Christmas lights, or what ever other last minute problem they were trying to solve when I wasn't there.
Instead I have decided I can cover any show with 24 xlrs plus my 4 looms plus 6 extension cords. When the number drops, I order more.
Sent from my XT1254 using Tapatalk
-
I agree with the lack of supervision. Unfortunately to attribute the loss to any one band/ night I would have to inventory everything before and after every show I do, which is just more for me. That includes having to run around on site to make sure the stage cables weren't " borrowed" to plug in a cash register or projector or Christmas lights, or what ever other last minute problem they were trying to solve when I wasn't there.
Instead I have decided I can cover any show with 24 xlrs plus my 4 looms plus 6 extension cords. When the number drops, I order more.
Sent from my XT1254 using Tapatalk
Use screw-down cable clips to secure your tri-tap cords to the stage. Make it difficult for the venue to 'borrow' them and never put them back. If these are your personal property I'd just bill the venue for them if they are not present when you come back. Why should you subsidize their operation?
-
I am ordering with their money but the more I spend replacing stuff, the less there is to upgrade.
Sent from my XT1254 using Tapatalk
-
I am ordering with their money but the more I spend replacing stuff, the less there is to upgrade.
Sent from my XT1254 using Tapatalk
Got it.
-
That's weird and sad to lose the tritap extension cord. I've lost cords, mics, guitar stands, mic stands. The oddest is getting traded or switched out; like a beater 58 for once of my new ones, or getting a crappy mic stand for one of my DR.
is there no stage tech around during tear down?
I've had things get grabbed out of my F150 truck bed. I've taken to labeling a piece of glow green gaff tape with a sharpie, writing "faulty" or "needs repair" on anything I have to leave in the truck bed as I go get a burger or something.