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 11 
 on: Yesterday at 09:00:00 PM 
Started by Jay Marr - Last post by Scott Holtzman
Hi Scott, did you mean MiPro?
Yes that would be the AI spellcheck.  Was in line at Lowe’s, sorry


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 12 
 on: Yesterday at 08:51:43 PM 
Started by Jay Marr - Last post by Jay Marr
Another Minority fan we are also dealers for them.  We have IEM’s in our rental inventory and they hold up just fine.


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Hi Scott, did you mean MiPro?

 13 
 on: Yesterday at 08:48:12 PM 
Started by Rolando Saenz - Last post by Rolando Saenz
As far as chipped cabinet I use bondo to fix the cabinets.  Any resin/fiberglass product should work fine.  Just gob it on then sand to match and paint.

I am in need of an amp.   I have had no luck finding one so that speaker has been under the bench for a year. 


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what amp you need, specs

 14 
 on: Yesterday at 08:42:20 PM 
Started by Peter Kowalczyk - Last post by Caleb Dueck
I heard from building engineering that it cost the managing company around $100k to fix all the problems they'd created.

Doesn't surprise me a bit from my experience with a large managing company; not sad they got their hand slapped.

 15 
 on: Yesterday at 08:35:57 PM 
Started by Steve Ferreira - Last post by Caleb Dueck
Not looking to fly anything at this point as 95% of my events are ground supported PAs.

If ground stacked, why not a single, coherent, high output box rather than this?  I've used similar (WiFo), but only flown, and even then - was underwhelmed. 

 16 
 on: Yesterday at 08:10:05 PM 
Started by Steve Ferreira - Last post by Mac Kerr
if 120' means 120 feet (i'm from the metric side of the world), then 120' that's quite deep for a(ny) stacked setup

Yeah, but it's only 36m.

Mac

 17 
 on: Yesterday at 08:07:38 PM 
Started by Peter Kowalczyk - Last post by doug johnson2
These days, for common usage, the isn't a compelling reason to have an isolated split.  I do run across the Seismic splitters fairly often and many times there is a bad channel or two.  These are band owned splits and don't see much maintenance.  I think they can be okay is they are handled with care and see maintenance as needed.  I would probably switch out the connectors for better quality as the need repair.  My first spilt was a 10 ft long, 16 channel snake cable, males on one end and a pair of wyed females on the other.  It served me well for many years and as far as I know a friend is still using it.   

 18 
 on: Yesterday at 07:53:37 PM 
Started by Debbie Dunkley - Last post by Steve Eudaly
Hold on..... it's DMX cable that can be used for AES?  I have lots of those!!!

Both AES and DMX spec 110-Ohm cable (vs 75-ish Ohm for regular ol' analog audio cable). So yes, a 3-pin DMX cable is essentially the same as an AES compliant XLR cable.

Will regular analog audio cable work for AES or DMX? Sure, but as with most failures in the digital world, if/when it fails, it will be very noticeable.

Like Tim said, Cat cable is also generally 110-Ohms, which makes it a good candidate for AES, DMX, analog audio, etc, hence the popularity of "Catapult" convertors these days.

 19 
 on: Yesterday at 07:26:40 PM 
Started by Steve Ferreira - Last post by Joris Jans2
you can have that rig on a single LA4x, no need for 2.
that said for a small rig like this you can better go for 1 A10 focus & 1 A10 wide per side, gives you more and (in my opinion) better options. get the proper stacking
read through the manual for rigging (and stacking!) options, then you have a bit more of a clue what to expect.
https://www.l-acoustics.com/documentation/LOUDSPEAKERS/A10%20Focus/EN/Owner's%20Manual/A10_OM_EN.pdf

if 120' means 120 feet (i'm from the metric side of the world), then 120' that's quite deep for a(ny) stacked setup

 20 
 on: Yesterday at 07:23:01 PM 
Started by scottstephens - Last post by Craig Hauber
Hey guys.

Do any of you have one of these? What do you think of it? Pros? Cons?  A friend of mine says that it has some "weird" fader issues.  My Sweetwater guy was not a lot of help. He just said that it had some "kinks" that needed to be worked out. 

Thanks.
Scott
Been installing them in small bar systems.  Best bang for the buck in small utility mixers but unlike similar priced analog models provides much more comprehensive EQ along with dynamics -which no other install "mixer" type product provides yet is probably the one most needed thing in unattended installations.
Does what it says it does and seems to be holding the settings fine on even my oldest installed unit.

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