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 1 
 on: Today at 10:12:09 AM 
Started by Debbie Dunkley - Last post by Dave Pluke
So, now I have too many amps.

...is that possible  ;) ?

Congrats on getting things sorted.

Dave

 2 
 on: Today at 10:09:13 AM 
Started by Ron Roberts - Last post by Dave Pluke
I've had similar conversations with guitar plays about about leaning their amp back on the amps built in kick back legs so they could actually hear their amp!

To that point, here's the best solution I've seen in awhile:

Dave

 3 
 on: Today at 10:00:44 AM 
Started by scottstephens - Last post by scottstephens
Hey guys.

Do any of you have one of these? What do you think of it? Pros? Cons?  A friend of mine says that it has some "weird" fader issues.  My Sweetwater guy was not a lot of help. He just said that it had some "kinks" that needed to be worked out. 

Thanks.
Scott

 4 
 on: Today at 09:57:49 AM 
Started by Debbie Dunkley - Last post by Helge A Bentsen
Now I have to work out a selling price for one of the Powersoft amps - I hate pricing gear to sell... Looks like they are $3500 - $3700 new now....WOW!

Amp prices are way up lately, over here a single LA12x is 80% of the price for a single Meyer Panther.
Who would have guessed that Meyer is the cheap option 5 years ago? ;D


 5 
 on: Today at 09:55:00 AM 
Started by Sean McKinley - Last post by Dave Pluke
This would be running to Crown XTI 4000s I've repaired, I have two but if this is the way I'll buy more. I have other QSC amps that run the subs, ...

Are they in the same rack?

AFAIK, Crown cooling fans draw from front to back and QSC, from back to front. Depending on their location, I'd be cautious of one amp "breathing" the exhaust of the other.

Dave

 6 
 on: Today at 09:48:24 AM 
Started by Peter Kowalczyk - Last post by Dave Pluke
I have a seismic 32ch that I've used a handful of times with no issue.  Their stuff gets a bad rap, but for something that gets taken care of, it works fine.  I wouldn't use their cables on stage, but the split doesn't get abused.

I agree.

The biggest issue I've seen with *some* Seismic snakes are faux-neutrik male XLR connectors that have slightly larger than standard outside diameters and can get stuck. I rather like the flexibility of their cables and, as noted, provided they're pampered, they'll do the job.

Dave

 7 
 on: Today at 09:39:39 AM 
Started by Debbie Dunkley - Last post by Bob Faulkner
Now I have to work out a selling price for one of the Powersoft amps - I hate pricing gear to sell... Looks like they are $3500 - $3700 new now....WOW!
Glad to see the T602 was easily "fixed"!  Kudos on the DNA20k4!  That's a hell of an amp...  Thanks for the update.

 8 
 on: Today at 09:15:56 AM 
Started by Debbie Dunkley - Last post by Debbie Dunkley
Now I have to work out a selling price for one of the Powersoft amps - I hate pricing gear to sell... Looks like they are $3500 - $3700 new now....WOW!

 9 
 on: Today at 09:12:06 AM 
Started by Rolando Saenz - Last post by Mike Caldwell
And they won't be crooked, using the holes provided?   :o
I like the idea of when pushing on the connector to connect it, the force is absorbed by the panel, not the fasteners.
Chris.

Yes still crooked, only it does not show up as bad as having the connector flange exposed.

 10 
 on: Today at 09:04:54 AM 
Started by Ron Roberts - Last post by Scott Bolt
Loud acoustic drummers, and sadly (in my experience) most lead guitar players produce enough stage volume that it will muck up the mix in anything but a stadium sized stage (where everything can be spaced far apart to prevent the vocal mics from picking up the stage noise louder than the vocals).

My solution for my band was 2 fold:

1)  Replaced drummer with piccolo snare rim shot syndrome with a drummer with vDrums
2)  Replaced lead player with a lead player that would use IEM's (both of them) for practice and gigs.  Guitar amp plexiglass shield created to keep the amp direct sound out of the stage and audience.

Night and day difference in out front sound quality.  No amount of PA equipment could have come even CLOSE to making that huge of a sonic difference out front.

Note:  It isn't that I haven't heard bands using wedges that sound good, but generally their drums and guitars are under control (seems rare) and the stage noise is kept to a reasonable level.

Most of the bands that have really good out-front sound are using IEMs.  WAY bigger upgrade than mic pres, microphones or even speakers IME.

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