Jarron Wright wrote on Thu, 07 May 2009 04:03 |
Youre awesome. So what i'm thinkin we could do...we have a snake mic the drums accordingly, send them through the snake back to the FOH submixer...then run stereo out to a channel on the board? |
Jarron Wright wrote on Thu, 07 May 2009 19:33 |
anyway the people who wanna do it say everyone has the drummer mixing his own drums at stage and then just sending the mono/stereo channel back through the snake into the board |
Quote: |
also if we did run it at the FOH would we have to use another amp for that mixer? |
Justin Langman wrote on Thu, 07 May 2009 01:50 |
Looking at your stage, to get the most benefit, you will want some sort of absorption on the wall behind to drums, otherwise most of the sound will be reflected into the room anyway. |
Jarron Wright wrote on Thu, 07 May 2009 19:33 |
anyway the people who wanna do it say everyone has the drummer mixing his own drums at stage and then just sending the mono/stereo channel back through the snake into the board |
Kent Thompson wrote on Thu, 14 May 2009 14:25 |
Actually putting sound absorbing material on the lower part of the Plexiglas helps a lot with reflected sound where microphones are placed close to the Plexiglas. |