Rick wrote on Thu, 06 May 2004 18:23 |
Thanks to all for their comments, this is what I wanted to hear !
The number of 70 was the origonal plan for dual 18" horns, but it sounds like I should go for around 24 LAB's. I wont complain about that ! less storage as someone mentioned, and less cost. I think I will go with that.
I have beeen looking over the plans yesterday and converting everything to milimeters from inches, fun...!
Well, I will keep you upto date on my progression.
Keen to hear any other storys about live dance/techno performences using the LAB's
Cheers Guys
Rick
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Hi Rick,
If you want to put more into this system you might consider beefing up the bass region just above the LAB subs.
The LAB subs work up to around 80Hz, but if you cross them lower say around 60Hz you are in better shape.
For an out door system my friend Al Limberg uses dual 15" mounted on a horn about 1 meter deep with a small closed chamber behind the drivers. The box operates completely in the range where the horn is working making them very efficient, extremely punchy and tight with very little harmonic distortion. Above that he uses Community M-4 midrange horns and then high frequency horns above.
For an outdoor system being totally horn loaded and having every driver only work in the range where the horn is working (no using a too short horn and then eqing in the bottom) pays large dividends in sensitivity and sound quality.
The down side is this system is large and a visual mess compared to some tiny (in comparison) Servodrive td-1s flown over LAB subs ground stacked.
OTOH it will pin the ears back on a td-1 system. A "clean" version would be to fly Community Air Force cabinets, but for 5k people that would be overkill and then some.
If you want to play with putting subs out in the audience my feeling is 5k people are too few to make it worth doing. The only time I can remember it being done was by Pink Floyd and it was indoors. They put sub boxes under the seating in arenas (10k to 20k seating). They were crossed over very low (even for a sub) and only used for effects like the explosion when the plane crashed into the stage on the "Dark Side of the Moon" tour.
For any kind of music a bad idea until you are trying to cover more like 50k outdoors and are using delay towers. At that point you delay the subs right along with the rest of the tower.
One thing to keep in mind. If you don't hurt anyone, have the equipment and time experimenting is a good thing even when some people tell you what you are doing won't work. Nothing like finding out yourself. You might even learn something new. Just remember it works the other way too. When you hear someone like TT talking about arcing your subs give that a try too.
Too Tall