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[Peter Morris]

I have been sent some Adamson M12's to try over the weekend - anybody used these? 

[Jim McKeveny]

This isn't a simple performance decision. It is really an enterprise decision. If you are an Adamson "house", why go elsewhere?

[Peter Morris]

This isn't a simple performance decision. It is really an enterprise decision. If you are an Adamson "house", why go elsewhere?

Yes that's normally how it goes - All of the new E & S series Adamson stuff is absolutely fantastic, but the wedges have been around for 15 years ...

[Tim Hite]

The NX12SMA's are excellent, but I'm looking for something more like the TT25CXA, which BTW are up there with the best ... but I also want good rider acceptance.

The RCF team is working overtime to gain rider acceptance, you may be OK there.

I went from the TT25CXA to TT20CXA, less low end but sounds better in the vocal range. The TT25CXA is way more were than I need. TT45CXA is great but big.

[Spenser Hamilton]

I have been sent some Adamson M12's to try over the weekend - anybody used these?

Had a bunch in back in 2019 for a weekend festival (remember shows?), artists were all happy with them, including some LOUD rock band types.

We're looking at a new FOH and Monitor package for the theatre, and the M12/M15/Adamson in general is on our shortlist (current have a LTR contract for an XW12 rig).

[Peter Morris]

Had a bunch in back in 2019 for a weekend festival (remember shows?), artists were all happy with them, including some LOUD rock band types.

We're looking at a new FOH and Monitor package for the theatre, and the M12/M15/Adamson in general is on our shortlist (current have a LTR contract for an XW12 rig).

Hi Spenser,

An S10 rig has recently been install in a new theatre here in Adelaide - I believe they are very happy with the results, but at this stage they have not bought any wedges as I understand.

[Spenser Hamilton]

Hi Spenser,

An S10 rig has recently been install in a new theatre here in Adelaide - I believe they are very happy with the results, but at this stage they have not bought any wedges as I understand.

We're looking at S10 with S119s flown, plus some additional S119s on the ground. There is a venue close by that has the same rig and similar architecture to our room so I'm hoping to drive up for a demo in the coming months (just need the lockdowns to end).

[Peter Morris]

We're looking at S10 with S119s flown, plus some additional S119s on the ground. There is a venue close by that has the same rig and similar architecture to our room so I'm hoping to drive up for a demo in the coming months (just need the lockdowns to end).

FWIW the theatre in my picture is 1500 seats.  12 x S10's per side (8 S10N + 4 S10) and a centre cluster of 8.  The subs are ground stacked S119's.  I think they would like to fly some if possible.

[Spenser Hamilton]

FWIW the theatre in my picture is 1500 seats.  12 x S10's per side (8 S10N + 4 S10) and a centre cluster of 8.  The subs are ground stacked S119's.  I think they would like to fly some if possible.

We're 1200 seats, so I imagine if you chop off that second balcony we would be looking at similar architecture.

Working on putting together an RFP, never thought when I got into this industry that I'd spend my days stressing over purchasing contracts.

[Peter Morris]

I have used the L'Acoustics 12 and 15 and they sound great! The 12 is my favorite. Look nice on stage as well.

Hi Kieth,

Which L'Acoustics have you used - The X12 & X15HiQ or the older 112XT & 115XT?

Hopeful I will get an opportunity to check out the X12 next week.

Thx.

[ProSoundWeb Community]