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Chauvet Rogue R1 FX-B

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William Schnake:
For the last several years we have been adding lights made in China.  They have served us well and we have a selection of 7 x 8 RGBAWuV and 18 x 18 RGBAWuV, all IP65 rated.  We also have some movers.  We are moving up in our area and working with larger venues and more prominent artist.  I realize that for are largest shows we will still have to rent some if not all of our lights.  We are never going to be purchasing Mac Vipers.  However, I want to start moving to a better more acceptable name brand light for our mid-size shows so we get away from the expense of renting.

So here is where we are.  Most of our shows are with artist who were big somewhere between 1977 and 2009.  None of them are current 'A' list artist.  However, over 50 percent of them have light spec that we could not currently meet.  When ask what they want they almost always come back with nothing from China and Pro level lights...whatever that means.  However what I have noticed, with the exception of one artist, they don't have to have exactly what is on their rider as long as what they get looks and works well and is a name brand.  All of them want moving eye-candy. 

Most of these shows are outside on a deck that is generally 40 wide X 32 deep.  Trim height is usually 16' above the stage.  I am thinking of starting with (6) Chauvet Rogue R1 FX-B, (24) COLORdash Par H12IP and  8 Rogue R2X Spots.  I am looking at this setup being able to do 90 percent of all our shows without any additional rentals.  This would be a 2 year build for our company.  Most of these shows are attended by 3,000 - 4,000 people.

I should have said upfront that we are mainly a sound production company and lights are an after thought. 

Is it worth throwing into the Chauvet Pro camp or not.  Thoughts and insights please...oh and none of this will include the new controller we will have to purchase.

Thanks
Bill

Tim Weaver:
In your market Elation and Chauvet's "pro" lines are fine. Just be aware of a few things.

If you buy "pixel" devices a touring LD may not have enough Universes to run it and might ask you to put them in dumb mode. Touring guys are often already running their own ground package for eye candy and just want your rig to cover the basic washes. I know our fairly simple rig was 2 universes already. We had a roadhog with 4 universes onboard and ran into issues sometimes when the house rig was too large.

Anybody in your market would be thrilled with some Colorado Tri-tours and a small pile of Platinum Beam 5R's or similar. You don't have to get fancy. Mac 101's are always appreciated too even if they are old.

Just make sure that your lights are name-brand and working. You'll make LD's happy. They don't have to be fancy at all. With that in mind I would drop the multihead things and buy more of the single head fixture. K.I.S.S. is the name of the game.

William Schnake:

--- Quote from: Tim Weaver on May 07, 2019, 06:11:58 pm ---Anybody in your market would be thrilled with some Colorado Tri-tours and a small pile of Platinum Beam 5R's or similar. You don't have to get fancy. Mac 101's are always appreciated too even if they are old.

Just make sure that your lights are name-brand and working. You'll make LD's happy. They don't have to be fancy at all. With that in mind I would drop the multihead things and buy more of the single head fixture. K.I.S.S. is the name of the game.

--- End quote ---
Tim, thanks for the response.  Definitely some great advice.  I would like to keep the pars IP65 since we do a large amount of outside festivals between April and October.  That is part of the appeal of the COLORdash PAR H12IP. 

Part of my life is spent being the BE for a band that had a few hits back in the late 70's and early 80's.  We did a show a few weeks ago where the light provider brought some Rogue R2X Spots.  They looked great.  That is why I was thinking that I would like to have some.  We would be moving from the Chauvet DJ Intimidator 350 LED Spots. 

I have mapped all of this out and it can easily be done in 2 universes.  We are currently using ONYX so I will probably get an ONYX controller that can handle 4 universes to be on the safe side.  That being said I am definitely not strictly look at ONYX controllers.  Really on the controller side I just want to make sure it is something that we can program and use or if the act has it's own LD we can program the controller and he/she can be comfortable on it.

We just did a 5 band festival this weekend and only one of the acts had their own LD.  Probably 80 percent of what we will be doing will be ran by us and just needs to look good with name fixtures.  The other 20 percent will be ran by a band LD.  As you said, and we have seen this in the past couple of years, some are traveling with their own light package and all we would need to add would be the LED Pars for the most part.

Thanks again for your input.  Life was so much easier when we were just a sound production company.

Bill

Jeff Lelko:
Hi Bill, it sounds like you have a nice plan in place.  I've said this in a few threads, but to me, the Rogue R1 Spot/Wash and R2 Spot/Wash are the industry's next Martin Mac 250/300 and Mac 500/600, respectively.  Bright enough to be useful, small enough to be portable, rugged enough to handle professional use, and cheap enough for the upper-end weekend warriors to nearly every professional user/rental house to afford.  If you've seen them and like them, then go for it!  On the other hand, if you're really doing crowds of 4000 outdoors then you might want to look a step up to the Maverick Series.  I don't have much real-world experience with these units but I believe TJ owns some.  Maybe he can chime in. 

I agree with Tim about the FX units - they're a love it or hate it effect that has limited use.  I'd bin them with my Sniper Pros - they're an effect light that can do neat things but aren't going to be a staple of your rig.  I'd vote to replace those with something like the Clay Paky B-EYE or Martin Mac Aura - both of which can do neat eye candy effects if desired but can also double as a generic wash light if needed.  Some of the Beam/Spot/Wash Hybrids can also serve the same utility.  Hope this helps!

Dave Garoutte:
For non-moving washes, look at the Colorado Solo3.  It is a zoomable wash with a homogenized lens, so cleaner light than the Colorado Quad 2 zoom, with similar output and a wider zoom range.  Both are IP65.  The zoominess makes them much more versatile than a fully static wash.  PM me for pricing.

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