Montez:
With the information provided we can only make guesses at the processing that might be appropriate. Adding the screenshots Timo asked for would certainly help. The measurements should be on-axis with both magnitude and phase plots, though an average of where a musician would stand - left / center / right of the wedge - would also be worth a look.
Even that will lead us to making only somewhat better guesses. The best thing would be to send the wedge around the world to each of us that would like to give you input on the processing so we could do the measurements and tuning using live measurement data. Prepaid of course. :)
But what if you could effectively do that, for free, without sending the wedge anywhere?
You can. It's easy. It's what I have been doing for several years. It allows you to make the measurement once and simply replay it anytime you want to change something.
This Friday I'm going to tune a pair of Danley SH100's and a TH112 that my employees hung in a small auditorium today. Yesterday I made the measurements* while the loudspeakers were at my shop. Tomorrow morning I'm going to do the processing in the electrical domain with a loop through of the measurement recordings through a processed Ashly amplifier. Friday will see a few parametric input filters added for room specific issues.
Anyone that would like to play along can literally do so with a dual channel FFT measurement system and a loudspeaker processor. The 10 second 48k, 16-bit stereo recordings have the loudspeaker measurement on the left channel and the pink noise reference on the right channel. It's helpful if your measurement software can playback a user selected file for its stimulus output. Simply do a loopback of the right output of your audio hardware to the right input. Route the audio hardware's left output to the processor's input and route the processor's output to the audio hardware's left input. Tune away. Both SH100 and TH112 were exactly 26' away from the microphone and the measurement mic gain was identical for both. Thus you can not only EQ the loudspeakers as you'd like, but add crossovers, perform the time/phase alignment (assume for now that the cabinets will be equidistant to the listener) and set the relative levels of the two passbands.
SH100 Measurement RecordingTH112 Measurement Recording===
In your case Montez, you'd want to make the same kind of stereo recording with the mic at ear position like this:
A smooth cement surface is ideal, but even a 4x8 sheet of plywood in the yard with the wedge in the middle will do nicely in this situation. Low wind is very helpful for stable phase traces at HF, but that's not critical in this application either. You'll need enough level from the pink noise stimulus into the wedge to achieve good coherence and S/N through the range of interest with your two passbands (at least a couple of octaves on either side of the expected crossover point). You should be able to significantly outperform this since the mic will be so close to the source.
One last thought, it's not polite to send full range pink noise through a HF compression driver, so I've supplied a link for you to download a 20 second sample that has been high passed with a 4th order Butterworth at 200Hz. Just use your software's pink noise generator for the woofer.
Pink Noise with 200Hz HP===
* Before long I'm going to walk through some of the basics of making good measurements. It'll be reflection-free and ground plane based, i.e. ideal, for reasons that'll be covered as well. It's not as easy as it sounds to do correctly, but it's entirely possible depending on the weather and the cops.
Finally, I appreciate and agree with Paul's terse reply concerning the knowledge required to do this correctly. It requires a huge amount of empirical study (time, effort, money) to begin to learn how much you don't know. You're starting well, attend Smaart and Syn-Aud-Con seminars. Syn-Aud-Con has also added some extremely well done online seminars that are much less expensive than live training. Blow things up and post questions in the mean time.