Jeff Wheeler wrote on Sat, 10 April 2010 18:29 |
Art Welter wrote on Sat, 10 April 2010 18:55 | Sounds like you are designing too low Fb for the 4018LF with high power.
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Yes, I can figure out how to make the speaker go low, or get loud, but not both. I suspect a small 6th order bandpass box would work better but at the expense of requiring more corrective EQ and a more complex box.
Quote: | The SRX 728s is not flat to 30, as JBL’s “Frequency Response” shows.
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True, my simulated box is still a little wrong, as I do not know the driver displacement. Also I've thought about making it a bit larger and tuning the box a little lower since the driver is capable of doing it.
I am not sure how to determine if such a modification would make a different box incompatible with an OEM box. Should I be looking at the difference in output phase shift?
Quote: | A half version of the 728 would have 6 dB less output, at 3200 watts it would put out 130 dB compared to the dual 4018LF putting out about 132 dB with 1600 watts.
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If they both had a similar power compression curve, but I think it is safe to say they do not.
Quote: | I still am partial to the Lab 12 (about $150 per) , as it goes lower than the above speakers in a cabinet half the size, the green trace is a Lab 2x12” in a 7.76 (gross) cubic foot box.
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I remembered your posts on this subject and it didn't take me long to come up with something that looked feasible. I don't know if I can coax the prediction into looking so much better than the 718S that it's worth making a change from something that is essentially a "de-badged box," but compatible with the real OEM ones that I own, to a true DIY; but I will give it more thought.
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A 6th order bandpass box will sound completely different and won’t play well with your present cabinets. It would not go any deeper, but would give more output in the middle of the bandpass.
Getting different types of ported cabinets phase to line up is not impossible.
If you are going to copy for compatibility, don’t change the box design from the JBL, or you will want different HP and EQ for the different alignments, complicating your set up.
That said, the SRX728S is an odd size, (no 90 inch truck integers) and at 19 cubic feet gross, a pretty big box even compared to the 14 cubic foot dual 4018LF Large Dance Club Sub. Designing a different box that fits your needs better, and selling the 728 cabinets may be an idea to consider if your box costs are really low and the builder competent.
As far as heat issues leading to power compression, without some actual test results I find it hard to believe the 2268H would safely dissipate more than four times the heat energy required to keep up with a pair of 4018LF.
As Silas pointed out, he managed to destroy a pair of 2268H with 2000 watts per cone, but you would need 3200 watts input to equal the SPL of 800 per cone using two 4018LF.
JBL specifies the 2268H “thermally-limited maximum electrical input power” is 1200 watts. With highly compressed sine wave like LF input typical in dance music, the dynamic range may be less than 3dB, so 2000 watts can release the magic smoke.
The 2268H linear displacement looks phenomenal, but with out dynamic material, heat death will still rule.
Art Welter