steve cook wrote on Sun, 21 February 2010 12:31 |
We had a show last night in one of the 'bigger' rooms that we play, and really, the bose system was not quite enough.
I think we're going to keep running the bose for the smaller shows, some of the rooms we play are pretty tiny...
We're fortunate enough to have a 22 ft box truck...
...I tend to think I'd like to keep this rig under 15k, or so. The guys know that we've got to roll with a lot of nickel and dime stuff like snake, some wedge monitors, and a distro, so it won't be hard having everything fall into place.
I think we can have our light guy run sound as well, I don't see that as any problem.
The point source system makes so much sense. I think just the sexiness of an array was what excited me.
Of top priority with this rig, tho, is quick set up and tear down. We have 2 techs that help for every gig, plus all of us in the band, but...
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OK, I kept the key points above.
Part of the reason the Bose will not work as well in larger crowds is because unless those sticks are elevated in the air much of the mid/high frequencies are going to be absorbed by the crowd. A standard trap box/point-source system that has its mids and highs over the crowd's head and aimed properly will likely be tremendous improvement.
You've got transport, and maybe a guy to run it. And you've got a probable budget of under $15,000 for a system. That's enough to put together something decent and workable, without bells and whistles. If you're looking for specifics on what to look at we can get into that. But first, I'll say what most of the other guys in this forum will tell you...
Spending that amount of money on a PA system is usually a bad business investment for a band.If you are playing shows that require significant PA support is it possible for you to hire a sound company and negotiate that rate into your show contracts? That would be the easiest, most convenient way to obtain superior sound at your larger shows. And your group doesn't have to deal with storage, transport, set-up/breakdown and operation.
The reason I mention that option is because of the lengthy amount of time it will take to recoup that PA investment. Not to mention equipment depreciation, ongoing maintenance costs, cost of transport, etc. It could take
years to break even on a purchase like that.
Years ago I was in a band that had upward of 10K into a system that covered us for venues sans PA for maybe a couple hundred people. I never did the math on it - at the time I hadn't a clue what I was doing - and I'm afraid to look back on it now to see how bad we lost our shirts on purchasing that system. Don't get me wrong - it kept us working regularly, we did a lot of shows on it
and we charged the venues extra to bring the PA along (and we charged less than hiring an outside vendor would've cost) - but we definitely lost money overall.
Now, maybe that loss is necessary in order to actually keep the gigging calendar full, or maybe your band is not as concerned about the profit side of things and it's really just a hobby and you're willing to spend the money to put on good shows. Well then, you're still better off hiring a competent audio provider than doing it yourself. If you've got the money to purchase a system (and/or the venue can afford to pay you to bring one) then you probably can afford to pay an expert to come in to handle it for you. A lot less hassle, and most likely much better sound.
Do some investigating into providers in your area and see what services they offer for what price. I'll admit, some local/regional providers leave a lot to be desired in terms of either service or gear...but it's worth at least investigating. There seem to be quite a few reputable owner-operators on these forums, there may even be someone in your neck of the woods. At least consider this option before you jump into purchasing another PA system.
If your group decides that they absolutely must have their own big PA, then I'm sure everyone here can oblige with some specific product ideas.