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Sound Reinforcement - Forums for Live Sound Professionals - Your Displayed Name Must Be Your Real Full Name To Post In The Live Sound Forums => LAB Lounge => Topic started by: Blake Short on June 17, 2014, 12:16:25 PM
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is there a handy glossary of terms that anyone can point me to so I understand the technical meaning of things like Gate, Shelf, HighQ, Compressor, etc... looking for a reference sheet of definitions i guess!
also looking for material about polar patters of microphones, how they work, where they should be positioned, etc...
I know i could search the web for this stuff, but i also know that there is someone on here that knows of some time saving reading material that is clear and to the point of what I am looking for! Thanks in advance to any who reply!
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Here's a good place to start.
http://www.yorkville.com/downloads/other/basicpaprimer.pdf
And then this:
http://www.amazon.ca/gp/aw/d/0881889008
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Here is the go to de facto standard: http://www.amazon.com/Sound-Reinforcement-Handbook-Gary-Davis/dp/0881889008/r
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Yamaha Sound Reinforcement Handbook....A.K.A. "the bible".
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As others have noted, look for the Yamaha sound reinforcement handbook and DVD, although dated the concept is still relevant today.
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This is THE comprehensive, accurate and up-to-date reference source:
http://www.rane.com/digi-dic.html
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As others have noted, look for the Yamaha sound reinforcement handbook and DVD, although dated the concept is still relevant today.
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Physics is not dated and the book is not a concept. It's an actual publication.
Off to the iggy bin.
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Physics is not dated and the book is not a concept. It's an actual publication.
Off to the iggy bin.
Didn't you hear? Ohm's Law and Gravity are dated. They don't apply to me anymore ;)
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What I meant was that it doesn't talk about line arrays and digital mixers because it wasn't invented in the 80's, sorry that I wasn't clear...
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What I meant was that it doesn't talk about line arrays and digital mixers because it wasn't invented in the 80's, sorry that I wasn't clear...
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They don't need to, as the physics of transducers, horns and pattern control are fundamentally consistent regardless of array geometry, and how to mix, along with why and what, are also format-agnostic. Digital mixers give you more stuff to work with, but the function performed is the same as analog.
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Here is the go to de facto standard: http://www.amazon.com/Sound-Reinforcement-Handbook-Gary-Davis/dp/0881889008/r
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You might also want to search this forum for the phrases "how many watts" and "gain structure" where you will learn as I did thanks to Ivan and other's persistence that the former doesn't matter that much and the latter matters very much. Next to "The Bible", this forum has been the best source of info I have found.