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 21 
 on: Yesterday at 11:51:44 pm 
Started by Chris Sieggen - Last post by Scott Holtzman
Maybe I needed to be clear, I am trying to set up a X32 RACK. I downloaded the X32 Edit App and tried the tutorial steps from that Sweetwater link, but I am not seeing where one sets the subnet mask and gateway in the app on my PC.

I'm lost. I'm out of energy. I'll try another time.

Sigh, the instructions cleared showed setting the front panel on the rack.  I understand you are out of your element but you need to take a deep breath and follow the instructions.

Give it a try again when you are rested.

 22 
 on: Yesterday at 11:47:06 pm 
Started by Aaron Kennedy - Last post by Corey Scogin
What are you talking about? Mic sensitivity refers to an intrinsic characteristic of a given microphone, how much voltage it puts out for a certain level of input. It is not something you can change.

He's referring to what most wireless mic manufacturers (if not all) call the input gain setting on the microphone transmitter. In Aaron's defense, they do call it "sensitivity".

 23 
 on: Yesterday at 11:33:27 pm 
Started by William Schnake - Last post by Nathan Riddle
Yeah I wouldn't worry about starting the cameras at the same time you can line the video tracks up very easily in any video editing program even windows movie maker...

Go-Pro's well the newer ones are certainly better; not sure you'd need that new though. And honestly, the knockoff ones from Amazon for ~$50-100 work just as good and are probably fine for your application.

Nikon D3200, D3300, D5200, D5300, etc are good cameras. You could record to the micro SD card for 20-30min of video. Firmware editing would be required to go over that limit.

https://petapixel.com/2013/04/09/nikon-hack-removes-the-recording-time-limit-on-d3100-d5100-and-d7000/

Decent Camcorder might be a better option *shrug*

We might be getting into the territory where you might want to consider shooting in raw and color depth and dynamic range (for lighting) and other things that are out of my area of expertise.

Though at the end of the day, just like an audio console... the user matters WAY more than the equipment.

 24 
 on: Yesterday at 11:20:17 pm 
Started by Debbie Dunkley - Last post by Trevor Jalla



Is that your rig per side? I have 4x PRX718s myself... that looks like a nice stack. Now its making me GAS!

I can't help but think the 835s would outrun the 718s. What's your experience?

 25 
 on: Yesterday at 10:38:55 pm 
Started by Sean Chen - Last post by Henry Cohen
Thanks for the heads up. So is the FCC verbiage below no longer applicable?

"...and unlicensed wireless microphones may operate on a portion of the 600 MHz guard band (614-616 MHz) or a portion of the 600 MHz duplex gap (657-663 MHz)."

As Mac, said, different frequency range. The FCC's verbiage from their April 2017 public notice stands and has to do with the 2MHz above 37, as well as the 6MHz unlicensed band in the duplex gap.

Do note that any equipment that can tune to the auctioned spectrum and/or operate at an RF power greater than 20mW will lose it's certification at the conclusion of the transition period on July 13, 2020. So just because you would only operate on the appropriate frequencies at or below 20mW, you'd still be in violation of FCC rules due to operating non-certified equipment.

 26 
 on: Yesterday at 10:34:18 pm 
Started by Kurt Hutchison - Last post by Caleb Dueck
My gut feeling is that from the description you gave and reading between the lines
the rental hall sound system is a poorly mantained mess of a system.
Your best bet would be to carry a complete system in with you.
Agreed

Sent from my VS980 4G using Tapatalk


 27 
 on: Yesterday at 10:24:58 pm 
Started by Kurt Hutchison - Last post by Mike Caldwell
My gut feeling is that from the description you gave and reading between the lines
the rental hall sound system is a poorly mantained mess of a system.
Your best bet would be to carry a complete system in with you.

 28 
 on: Yesterday at 10:11:08 pm 
Started by Riley Casey - Last post by brian maddox
Pretty much changes in the labeling yes.  I've got a TW12B on which the test tone isn't being generated with the null button and the schematic wasn't lining up with what I found on the circuit board. The Clear Com web site was lying to me thus the request.  Curt came thru in record time.  Thanks.

Somebody asked me the other day what the difference was between the TW12B and the TW12C.  I told them “the color.  The C stands for Blue”.  :)

 29 
 on: Yesterday at 10:09:42 pm 
Started by Chris Sieggen - Last post by David Sturzenbecher
Maybe I needed to be clear, I am trying to set up a X32 RACK. I downloaded the X32 Edit App and tried the tutorial steps from that Sweetwater link, but I am not seeing where one sets the subnet mask and gateway in the app on my PC.

I'm lost. I'm out of energy. I'll try another time.
You have to set it on the X32 rack first, or your computer won't be able to talk to it.


Sent from my iPad using Tapatalk Pro

 30 
 on: Yesterday at 10:07:03 pm 
Started by Scott Mullane - Last post by Matthew Knischewsky
OMG! The S6L offline editor is so damn annoying. It will literally only boot up if you have a monitor with a resolution of 1920 x 1080. If not, then the software will not load. Windows only and 1920 x 1080 only. This is not a real problem for desk top computers, but a real problem for most laptops as their inbuilt monitors do not usually support that resolution. Only high end laptops can scale to this.

It wouldn't be an Avid console if everything worked as you would expect it to.

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