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 1 
 on: Today at 12:33:35 pm 
Started by tolikkk - Last post by tolikkk
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 2 
 on: Today at 12:30:45 pm 
Started by Curt Sorensen - Last post by Henry Cohen
Since You register the beltpacks to your Base station it "should" just work.....

Actually, no. If another FS-II system (or Riedel Bolero or Telex Roameo) shows up on the scene, within the same RF coverage area(s), there are now multiple systems operating in the same frequency spectrum, and this means interference potential. It doesn't matter if only I have keys to my car, if there are a million other cars on the road, I'm not going anywhere, or it will be very slow going.

Other co-located systems means reduced range at best, to complete non-usability at worst. 

 3 
 on: Today at 12:19:29 pm 
Started by Alberto Escrina - Last post by John Roberts {JR}
Please tel me if I get "heavy" insisting on my former point of interest. I promess I will stop posting.
This point, as you can see reading my previous threats, is about that modern technology (we should make clear what modern means in terms of time but, Ok, we can handle that) has to be more to better operational features than to sound quality itself.
Exceptions might be measuring devices and softwares or acoustic prediction tools.
When we get in to sound systems, most of those features have to be with, "flexibility", "transportability", "scalability", networking, weight, size, easy rigging, etc, etc, etc.
Even extraordinary designs such as Enya and MLA (just two examples), that we all know have years and tons of research behind them, deal with sound distribution and not with sound "quality". Do they sound "better"? or are they just extraordinary tools? You tell me. I didn't heard them never, unfortunately.
Did you see that no one of you, the old warriors, didn't even make a mention of my MSL3 to line source sound quality and efficiency comment? Why my friends?
Ivan, I hope too that maybe one day accuracy and quality of sound will become important again.
Art deserves it.
Cheers.
I don't know if I'm an old warrior but I feel pretty old...

The discussion of different speaker system technology and approaches has been going on for years (decades).

Sound reinforcement is a business first and sound quality/accuracy can be secondary to that sometimes (just like everything in business).

In an ideal world new technology can do everything better and cheaper, but until then "there will be different horses for different courses."

JR

 4 
 on: Today at 12:06:14 pm 
Started by John Chiara - Last post by John Chiara
I just opened them in my DAW directly.
And....I can't seem to open an account at Cymatic no matter what I try. Jet is telling me my email address is invalid...etc.

 5 
 on: Today at 11:56:49 am 
Started by Tim Hite - Last post by Jeff Lelko
I wish I could have made it out for that.  I was lucky when LDI was in Orlando every couple years, but from what I've been told they are not welcome to return.  Any major standouts to you?

 6 
 on: Today at 11:54:45 am 
Started by Doug de Werd - Last post by Jeff Lelko
Unfortunately true.

Yep.  I've been in that situation many times, having to explain why I'm quoting XXX for only 4 speakers when this other guy is quoting half the price for 12 speakers!  I already have my canned "Not all speakers are created equally" and "Sometimes less is more" speech ready to go for clients like that...  And for what it's worth I generally quote for the service, not on a per-speaker rate, but some clients like to see a system spec'd out on quote (which of course opens the door for non-apples to apples comparisons between vendors). 

 7 
 on: Today at 11:51:18 am 
Started by Alberto Escrina - Last post by Alberto Escrina
Please tel me if I get "heavy" insisting on my former point of interest. I promess I will stop posting.
This point, as you can see reading my previous threats, is about that modern technology (we should make clear what modern means in terms of time but, Ok, we can handle that) has to be more to better operational features than to sound quality itself.
Exceptions might be measuring devices and softwares or acoustic prediction tools.
When we get in to sound systems, most of those features have to be with, "flexibility", "transportability", "scalability", networking, weight, size, easy rigging, etc, etc, etc.
Even extraordinary designs such as Enya and MLA (just two examples), that we all know have years and tons of research behind them, deal with sound distribution and not with sound "quality". Do they sound "better"? or are they just extraordinary tools? You tell me. I didn't heard them never, unfortunately.
Did you see that no one of you, the old warriors, didn't even make a mention of my MSL3 to line source sound quality and efficiency comment? Why my friends?
Ivan, I hope too that maybe one day accuracy and quality of sound will become important again.
Art deserves it.
Cheers.

 8 
 on: Today at 11:30:46 am 
Started by Hayden J. Nebus - Last post by brian maddox
I would just let the cost say no for me.  When advancing, I never say no.  Nothing is impossible, it just has a cost.  You need more subs?  Sure, that's $xxx for the truck, $xxx for the guy, $xxx for the gear.  Then add in kill seats for the sightline issues caused.  Then bounce it up to the artist agent and the promoter.

Yeah, this is basically a Win Win.  Either saner heads prevail, or you just bring in WAY too much gear and bill for all of it.

I have a long story on this exact point, but the short version is that saner heads did NOT prevail, all of the gear was brought in and was then actually USED.  At full Filt.  Half the audience walked out within 10 minutes because it was TOO DAMN LOUD!!!!  Less than 20 percent fo the crowd lasted to the show's end.  Promoter ended up refunding about half the show's tickets.

Next time a similar situation came up, they asked US what the appropriate amount of gear was for the gig and told the BE that that was what they were getting.  Easy Peasy....

 9 
 on: Today at 11:27:36 am 
Started by Stephen Swaffer - Last post by Mark Cadwallader

I didn't realize that when you say you want a d:fine there are at least 144 different possibilities.


144?  That's gross!

 10 
 on: Today at 11:25:36 am 
Started by Stephen Swaffer - Last post by Ade Stuart


Go to http://www.dpamicrophones.com/microphones/dfine/slim-omnidirectional-headset-microphone Select your options and it spits out a part number

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