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Experiences with the Work Pro Lightshark console?
Eleanor Saitta:
Has anyone here gotten to spend some time with the Work Pro Lightshark LS-1? I'm looking at upgrading from a Cuety LP-1 to something more like a proper console, and it looks like a reasonable bridge option, but I haven't seen a ton of hands-on experiences out there.
Jeff Lelko:
Hi Eleanor,
I'll start with the disclaimer that I've not seen nor used this board, but it appears to have some degree of correlation to Blizzard Lighting - a budget and often "good enough" brand in terms of quality and performance. It looks like a member cross-pollinated your topic to another forum seen here, so you might want to keep on eye on that site for some answers too.
To give bit more useful advice, what drives your need for a larger controller? I don't think I'd consider what you're looking at to be a proper console by any stretch - is that really what you're looking for? If not, for similar money you could do a MagicQ PC or M-PC setup with wings, maybe an ETC ColorSource, or possibly one of the other entry-level "real" hardware boards. If what you're looking at is anything like rack mixers, you'd have to get comfortable with relying on tablets to some degree - not something you usually want to trend towards if you have legitimate need for a proper desk. Hope this helps!
Eleanor Saitta:
--- Quote from: Jeff Lelko on August 20, 2018, 12:33:13 PM ---To give bit more useful advice, what drives your need for a larger controller? I don't think I'd consider what you're looking at to be a proper console by any stretch - is that really what you're looking for? If not, for similar money you could do a MagicQ PC or M-PC setup with wings, maybe an ETC ColorSource, or possibly one of the other entry-level "real" hardware boards. If what you're looking at is anything like rack mixers, you'd have to get comfortable with relying on tablets to some degree - not something you usually want to trend towards if you have legitimate need for a proper desk.
--- End quote ---
For now, what I'm looking for is something that can live on its own, ideally without needing a dedicated PC to drive it, while still giving me more flexibility around direct control. I'm currently (and for the immediate future) using all static lights, and if I get moving heads, it's mostly going to be for fun — the kinds of shows we run are well-enough served with what we have. I'd like more flexibility in both programming chases (the Cuety is a complete pain for anything but completely static scenes), and the ability to tweak stuff live as needed. Being able to have control on a tablet is a win for me, because it means I'm not stuck standing next to the console all evening — it's rare that there are more than a couple of us plus the talent. I'd like something reliable that gives me a reasonable amount of flexibility and expressiveness but stuff like pre-show visualization etc. is way overkill for what we need. I'm computer security engineer during the daytime, so I'm not looking for something that will hold my hand -- I'm in the middle of building out an Open Lighting Architecture box to bring the Phillips Hue strips we use as house lights into the DMX universe so I can control everything off of one board. I recognize that this isn't the profile for most folks who are looking to graduate to a "real" lighting board, and I'm happy to take advice, but I'm also looking for gotchas — "oh, I tried one of these as a rental a couple times and it crashed constantly and then shorted everything out" sort of things.
Craig Leerman:
I have only seen one at a trade show, but Looking at the manual it seems to be pretty cool. 8 universes compared to the single you have now. Hands on control from the surface. Built in WiFi for remote control from any smart phone, tablet or computer with a web browser. Ability to use 2 of the connected devices as wings for 20 more playbacks. 3 devices can connect at one time it looks like.
I was thinking you could use your phone as a remote focus unit when you are focusing lights! Another use might be that a rehearsal could access a basic stage wash from their phone onstage and not have to climb up to the booth to use the console (restricting access to the board and booth to only authorized folks)
I like that it has both 5 and 3 pin DMX outputs as well as Ethernet/Artnet outputs.
Also there is a Core unit that houses the same engine that is only accessed by web browser devices. Except for the hands on surface everything else is the same.
I like it. While it may lack a few advanced features of other consoles, unless you are doing broadway or big concerts this looks like a pretty cool system to me. Throw a core unit in your gig bag and always have a lighting console with you that features remote access and the same operating system you are used to.
If you are looking to step up to a better console that the Cuety, this would be it.
Another option could be the Chamsys PC with a Wing. The software is free to download and use on most any computer but you need to buy a dongle to output DMX. I have used some cheap units from Entec with Chamsys and they work fine. For hands on control you can buy a basic wing or faders, a programming wing that has faders and knobs/wheels or a wing with faders and playback buttons called the Extra Wing. Multiple wings can be used at the same time in addition to the virtual faders and controls onscreen.
The benefit of Chamsys is that you can download the software and see if you like it, spend under a few hundred bucks for any dongle or buy the dongle from Chamsys for $100. Chamsys also has a locked dongle for $15 that allows programming and use for 5 hours at a stretch, then you just need to unplug it and get another 5 hours at a time. I know some local bands that use the basic locked $15 dongle and plug it in just befor their 4 hour show in a club.
Chamsys Software is the same as in their consoles. Might be worth a try
Craig
Sent from my iPad
duane massey:
Maybe I'm missing something. How does it have 8 universes with only one DMX (or are the 3p and 5p separate) output?
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