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Author Topic: proximity effect on vocals?  (Read 7723 times)

Chris Hindle

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Re: proximity effect on vocals?
« Reply #20 on: September 05, 2017, 12:46:24 PM »

Thats a pretty crappy attitude.
Wow.
If you are part of the band, that's one thing.
If you are working for 30 or 40 different bands a year, here's a free lesson.
Your opinion means squat if it is not in line with the "creative" talent. You know, the one signing the check.
My job is to make his vision come true. Not mine.
Sure, I'll make suggestions during and after sound check if there are issues i don't like, but it is not up to me to go producer at his show, unless I am given permission.
There's a reason so many act's have questionable sound choices. Ask the band leader, not the sound tech.
Chris, in this game for a very long time.......
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Ya, Whatever. Just throw a '57 on it, and get off my stage.

John Ferreira

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Re: proximity effect on vocals?
« Reply #21 on: September 05, 2017, 11:24:20 PM »

Thats a pretty crappy attitude.

Tim McCulloch is 100% correct.

When I sometimes am tired, or feel a little sick, on the very high notes I may sing further from the mic, at the price of a weaker sound, but that's because I know I cannot reach those high notes at my best. That's my chosen dynamic to hide a vocal problem. 2 Hours later, my voice maybe more warmed up, or just warmer, and I may no longer need to do that.

I do sound from stage, and have been doing it since 1977, but it would drive me crazy if somebody exaggerated compression settings, and screw up the dynamics I created in purpose, by increasing output on rough notes, that I was trying to soften to begin with.

If all else is fine, like monitoring and mix, most pros are fully aware of how they want to project their singing.

Most of us here completely fail to see where you get the "crappy attitude" from Tim McCulloch.
« Last Edit: September 05, 2017, 11:43:12 PM by John Ferreira »
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John Ferreira

ProSoundWeb Community

Re: proximity effect on vocals?
« Reply #21 on: September 05, 2017, 11:24:20 PM »


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