Was contracted for a small local festival last weekend; my client had purchased a new x32 and two of the s16 stage boxes. everything went well during setup, and the s16 boxes worked perfectly for sends and appeared to configure correctly for 32 inputs with 16 outputs, this was using only the AES50 port A for communicating. (A second piece of belden tactical cat5/6 was in the trench just in case.)
All outputs worked perfectly, both for FOH and monitors on both of the S16's. the desk was configured to have inputs 1-24 from stage and 25-32 local. The inputs from the second s16 however were completely useless... No matter what the setting on the head or the desk. I could control the headamp gain and phantom power from the desk, see the levels on the headamp meter and monitor it on the phones, however there was no setting that would patch the input to the actual input channels.
IE: mic plugged into channel 17, stage box configured correctly, inputs 17-24 in the routing tab are selected as AES50 A 17-24, channel 17 selected on the desk, gain control on the desk affects the head amp gain for stagebox 2, input 1 (ch17).
I even tried using our second piece of data line to use AES50 B and tried to configure the box that way.... still no help.
(my client rented a copper snake to get through the festival.. from me.)
There were even more problems with the desk on the last night of the festival....
During the last two acts (thankfully dj's) the input faders on the control surface quit affecting the audio... I had DCA's on the inputs and was able to use those, but none of the input faders worked at all... (As it was 2am and I'd been doing it old school and living in the FOH tent for 4 days I just lidded the desk and went to bed...)
Any ideas? (Other than taking the desk and stageboxes back and buying real gear....)