One technique for miking the toms all together is to use a good dynamic mic pointed across the head of the floor tom. Start with it parallel to the head. If you need to subtly alter the tone/percentage, experiment with the axial response variations of the pattern by incremental angling/height.
I'm guessing that one would aim it across the floor tom pointed at the other one(he only has the one floor tom and one rack tom)? Would a 57 work for this? What we have now are a set of cheap CAD drum mics(which don't sound that great without ample eq work) that the drummer owned before the band got started.
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